“The Barbarians Are at the Gates”: Curtis Yarvin Has Big Art Plans for the US Pavilion at the 2026 Venice Biennale
It’s not a retrospective of Jon McNaughton’s portraits of bloody, triumphant, muscly Trump. It’s somehow crazier.
It’s not a retrospective of Jon McNaughton’s portraits of bloody, triumphant, muscly Trump. It’s somehow crazier.