Shrink by Rachel M. Thomas: a compelling graphic novel about navigating fatphobia as a young woman
What is it like to move through the world when everyone tries to change who and what you are? This is the fundamental experience that the graphic novel Shrink explores in its stylistic depiction of the author’s autobiographical experience of being fat.
The book opens with the author hospitalised. Even while lying in bed with oxygen tubes, Rachel M. Thomas’s mind is racing – will people think that she’s there because she’s fat? How are others judging her? This sense of claustrophobic, understandable paranoia persists through the novel.
As Thomas shows, to be fat is to be judged. Herein lies the most interesting contribution of this book: what does it mean to exist as a fat person in a hugely fatphobic society?
Thomas masterfully weaves together academic insight, autobiographical experience and graphic art to explore these questions. As the reader moves through Thomas’s experiences of her body, we increasingly see how fatphobia shapes her experiences and interactions.
No one’s 20s and 30s look the same. You might be saving for a mortgage or just struggling to pay rent. You could be swiping dating apps, or trying to understand childcare. No matter your current challenges, our Quarter Life series has articles to share in the group chat, or just to remind you that you’re not alone.
Read more from Quarter Life:
This includes the frustrating and anger-inducing experiences of accessing healthcare. Thomas is repeatedly told to just “lose weight” even when it’s irrelevant to her health concern. Doctors choose to remind her that her body could be smaller, instead of engaging with the specific symptoms she experiences.
Beyond the horrors of medical trauma, is the horror of how strangers feel justified in commenting negatively on fat people’s bodies. Between making “oink” noises, or snide comments, Thomas is also bombarded by media images of “ideal” body types which compounds her negative relationship to her own body.
For me, one of the most interesting sections of the book was where Thomas discussed people’s relationship to fatness throughout history. She shows how fatness was not historically demonised the way it is now. Rather, a perfect storm of class, capitalism and medical bias have now come together to suggest that any fat bodies are “wrong”, without accounting for the fact that they can be as healthy – or even healthier – than some slimmer frames.
Spurred on by the negative responses to her body, Thomas begins calorie counting and excessive exercise and weight loss to facilitate her emotional journey. At some point, her health crashes due to her extreme approach, leading her to finally reset her relationship with her body.
Eventually, she comes to terms with the fact that no body is “normal” – everyone has their quirks and challenges.
Bearing witness
Shrink is a compelling, thoughtful and personal account of navigating a fatphobic society. The illustrations throughout the graphic novel pull on the reader’s emotions to feel empathy and connection with the narrator.
Similarly, Thomas’s knowledge of the academic literature in this field helps ground her narrative in a wider academic context to show an account of some of the shared experiences of fatphobia.
This book is representative of one person’s navigation of fatphobia and so, evidently, can’t capture the gamut of experiences of fatness. Having said that, Thomas is mindful to explore how fatness might intersect with blackness and other minority identities.
For those readers wondering more about experiences of fatness and blackness, I recommend Fearing the Black Body by Sabrina Strings. Thomas herself draws on this book throughout Shrink, and I think they serve as perfect companions to one another.
Although I struggled with the fact that Thomas reached a place of self-acceptance largely through working through an unhealthy relationship with diet and exercise, this was an important part of her navigation of her body. This honesty around her experience is key to the impact of the graphic memoir.
It’s an interesting and accessible exploration of fatphobia, though readers who have a difficult relationship with food and exercise should exercise caution, as the content may be triggering.
I enjoyed this book and felt that it affirmed some of my own experiences of navigating a world in a normal, and so imperfect, body.
Rosie Nelson does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.