Palestinian Filmmaker Who Accused Israel of ‘Genocide’ Wins Top Prize at Film Festival With Israel-Set Drama

A Palestinian filmmaker who has accused Israel of “genocide” during the ongoing war in Gaza took home the top prize on Sunday at the 65th Thessaloniki International Film Festival for a family drama set in Israel that includes Jewish and Arab characters.

Director Scandar Copti won the Golden Alexander for best feature film and a 10,000-euro cash prize for his film “Happy Holidays,” an Arabic- and Hebrew-language film that follows four interconnected characters who “share their unique realities, highlighting the complexities between genders, generations, and cultures.” One character, named Rami, is a Palestinian from Haifa who must deal with his Jewish girlfriend’s sudden decision to change her mind about her planned abortion.

Copti directed and wrote the screenplay for “Happy Holidays.” He also directed the Oscar-nominated 2009 film “Ajami.”

“Happy Holidays” is Copti’s second film, and it premiered in early September in the 2024 Venice Film Festival’s Horizons section, where it won the award for best screenplay. During his virtual acceptance speech at the Venice Film Festival, Copti accused Israel of committing a “genocide” in Gaza, where the Israeli military has been waging a campaign against Hamas terrorists.

“Over the past 11 months, our shared humanity and moral compass has been tested as we witness the ongoing genocide in Gaza,” he said in comments which elicited applause from the audience. He talked about the “painful reality” in Gaza and said “Happy Holidays” examines “how moral narratives can bring us together as communities, but also blind us to the suffering of others. It explores how traditions and indoctrination can distort our values and make injustice seem acceptable.”

“True freedom is interconnected,” he added. “None of us are free until all of us are free, from all sorts of oppression.”

The jury at the Thessaloniki International Film Festival — which included filmmaker and producer Sara Driver, filmmaker Denis Côté, and producer Konstantinos Kontovrakis — applauded Copti’s film “for intricately weaving different narratives and perspectives that fully expose the complexity of national, gender, and class dynamics that can divide societies and for seeing the future in the face of a young woman.”

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