DS Album Review: The Calamatix – ‘The Calamatix’

The Calamatix have released their debut, self-titled album via Hellcat Records, and while summer may very well be over. The Calamatix doesn’t care. The album is full of laid-back music, blending genres like reggae, ska, funk, trip-hop, and punk. They take it upon themselves to transport us back to the slightly warmer days when the sun was high and the music was filling the streets.

The album opens with “Love, Lies & Alibis,” a bright, danceable, and energetic song that blends Dancehall and a twist of punk into a seamless vibe. With its infectious hook that pulls you in, it sets up an easy entry for the rest of the album. Then comes “Believe It or Not”, easing the listener back into a relaxed, reggae-inspired groove while keeping things fresh and unexpected.

Tracks like “Still Rudy” and “Rootstyle” pick up the tempo once again, each delivering an upbeat ska feel that makes them stand out on the album. Raylin Christensen’s vocals flow effortlessly over the tracks, adding a relaxed and natural charisma that compliments the band’s sound perfectly.  

“Dread” is an exceptional track that showcases the chemistry among the band members. Though one of the slower, more downbeat songs, bassist William “Matty” Taylor and guitarist Adam Porris bring a distinctive richness, making this track feel much more intimate and grounded in the way that balances the album’s brighter moments.

A personal favorite, “Boom Bap,” leading the listener into the song, is Clarence “Pocket” Kidd’s hypnotic drumming beat, layered with a dreamy guitar from Porris and a smooth and airy bassline from Terry. When Christensen steps in with her straightforward and sultry vocals, the listener is transported to a vibe consisting of trip-hop, blending atmosphere and edge into one. When the chorus kicks off, the sound swifts smoothly into a more funk-esque sound. Here Christensen delivers some cutting lyrics “Nah bitch, I’m not easy.” This transition isn’t just surprising but also keeps the energy flowing throughout the song. The album closes out with “Tupelo Honey,” which is a cover of Van Morrison’s song – a beautiful deliverance of vocals from Christensen.

This album is an undeniable invitation to dance, seamlessly blending reflective lyrics with upbeat and infectious energy. Christensen’s passionate delivery of the songs dives deep into the emotional progress while maintaining a refreshing optimism on some of the other tracks. There’s truly a song for every moment, showcasing the band’s range and creativity. The Calamatix have a chemistry that feels both original and refreshing as if they’ve been working on their sound forever. Their music flows so effortlessly, drawing you in with relatable lyrics and catchy hooks. This debut album showcases their talent and hints at what’s to come, definitely leaving you wanting more.