Play About Nazi False Flag Operation That Launched World War II Is Stunning
Ken King and Richard Hollis in “Canned Goods” presented by the American Theater Group. Photo: Lianne Schoenwiesner, Spotlights Photography.
The three innocent men held in jail have a feeling they’re going to be killed.
They don’t know how or when, and it’s not easy to get answers from the SS Major, who toys with their minds and their souls. In their own way, they try to battle back.
That’s the setup for the unforgettable play Canned Goods presented by the American Theater Group.
The show gets its name from “Operation Grandmother Died,” in which Hitler needed the world to see some reason for invading Poland — so a false flag operation was launched to make it appear that Poles attacked Germans in a radio station in the German border town of Gleiwitz. Those who would be sacrificed were called “canned goods” by Germans, and at least one corpse was used to make it look more legit, as if the person was killed in the attack.
SS Major Alfred Naujocks was in charge of the plot, which was a success. Ken King delivers an out of this world performance as Naujocks, who has boxed before and enjoys verbally jousting with the three prisoners — Birnbaum, Kruger, and Honiok.
Birnbaum, a Jew who has been taken from Dachau, is played magnificently by Simon Feil, who displays wit and humor. His character is the first to realize they are going to be killed, and has the nerve to ask Naujocks why he was starved in one camp but is now being fed well.
Feil has a cryptic chemistry with Steven Rattazzi, who plays Kruger, a naïve man who thinks kissing up to the SS major and complimenting his hat may save his life. Rattazzi has an uncanny intensity and displays excellent comedic timing and an ability to nail the heavy moments, like when he asks the SS major if they will be killed.
Birnbaum is clever, and his boisterous banter is his rebellion. Kruger is antisemitic and explains why he felt he had a right to steal from his Jewish boss, who withheld a bonus. As Honiok, Richard Hollis is impressive, giving the role the feel of a deer in the headlights. Dalton Gordon is also convincing as a menacing prison guard.
It’s hard to believe that this is Erik Kahn’s debut play, because the script has a mature brilliance that is not often found when combining fictional characters along with real ones. Paired with Charlotte Cohn’s direction, Canned Goods is a slow-burning eerie emotional earthquake that buries you in rubble. Falling somewhere between an amazing episode of The Twilight Zone and Jean Paul Sartre’s No Exit, the 80-minute show is claustrophobic and chilling. Kudos to Kahn and Cohn for one of the most controversial and provocative endings to a play I’ve ever seen.
The play has incredible parallels to today, something Cohn told me about in a discussion after a recent performance at The Sieminski Theater in Basking Ridge, New Jersey. “It’s incredible to see the parallels for today. There is propaganda and political theater. We have to always learn about history but look at what’s behind what’s happening today and perhaps become more empathetic and be able to walk in someone else’s shoes. Maybe it can move us towards peace, somehow.”
Canned Goods is a fresh look at how evil is justified, war is theatrical, and how — while we may think we are the king of our proverbial castles — we might be pawns and we can easily be knocked off the board altogether, even if we don’t make a wrong move. Sometimes, the best weapon is the right question.
The author is a writer based in New York.
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