ru24.pro
News in English
Календарь
Май
2024
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

The Highs, Lows, and Whoas of the 2024 ACM Awards

0
Vulture.com 
Photo: Christopher Polk/Penske Media via Getty Images

Everybody wants a piece of country music right now. Look no further than last night’s Academy of Country Music Awards, where Noah Kahan, Post Malone, and Avril Lavigne all performed. Even Dua Lipa made a surprise showing. Despite all the outsiders in attendance, the country stars who showed up for the ACMs wanted to pat themselves on the back for the non-country clout, with the ACMs barely moving their focus from outside Nashville (even though, as the ceremony hammered home, we were in Texas). The city’s best, like Lainey Wilson and Chris Stapleton, shined, and there was barely any recognition for genre outsiders like Zach Bryan and Tyler Childers. The show didn’t mention Beyoncé once, even after she released the biggest country album of the year. Ahead, the highs, lows, and whoas of this year’s ceremony.

LOW: Lainey Wilson needs no gimmicks

For the third year running, the show kicked off with a song about where it was happening. In this case, it was a rote cover of “God Blessed Texas” by Wilson. For the ACMs’ second straight year in the state, it felt overdone. It was also a shame because Wilson’s new single, “Hang Tight Honey,” which followed, is one hellacious scorcher and would’ve been more than fine by itself.

LOW: We’re still lying about country music being a family?

The biggest jump-scare of Reba McEntire’s opening monologue was when she declared, unprompted, that “Everyone is welcome here.” McEntire continued, “From Mother Maybelle to Cowboy Carter, country music is so big in 2024 that there’s room for everybody. We all love country and we all are country.” McEntire’s example? Post Malone performing at the night’s show! In the span of a minute, it was all the evidence you needed to see the industry still hasn’t learned its lessons about racism. No, Beyoncé wasn’t at the ceremony, but none of the Black country musicians who joined her on Cowboy Carter hit the stage, either — not even Brittney Spencer, an awards-show mainstay, or Shaboozey, who has a top-five hit at the moment. In fact, just two Black artists were nominated for awards, and only one performed. That was Kane Brown celebrating the 40th anniversary of Ray Charles’s ACM debut … which happened in 1984, more than two decades after Charles first made a country record.

WHOA: Kelsea Ballerini and Noah Kahan go theatrical

Most ACM performances don’t have much more than an artist and their band. Not Ballerini’s. She began her duet with Kahan lying on a couch, singing a heartfelt take on her song “Mountain With a View.” Then the camera panned to Kahan, on the other side of the stage, outfitted with some tall grass as he launched into his breakout hit “Stick Season.” It would be simple on a Grammys stage, but compared to many of the night’s bare-bones performances, this was theater. Ballerini even had a costume change, wearing an apt flannel as she stepped over to Kahan’s side.

HIGH: The amount of Dallas Cowboys promo

When Cowboys owner Jerry Jones said the team was “all in” for 2024, did he just mean the free exposure from hosting the ACMs at his facilities again?

WHOA: America just met Tigirlily Gold

The winners of the revived New Duo/Group of the Year award made their moment in the spotlight count, running through a stellar performance of the single “I Tried a Ring On.”

HIGH: Cody Johnson does his best Alan Jackson

If you squinted just a little at Johnson onstage, wearing a white hat and talk-singing a sentimental ballad about the passage of time, you could’ve been transported back in time yourself, with Johnson channeling his hero, Alan Jackson, on new single “Dirt Cheap.” Yeah, the ’90s are sticking around in country music.

WHOA: Miranda Lambert’s everything, everywhere, all at once outfit

Can’t decide what route to go for your awards-show outfit? Take a note from Lambert and do it all. She maxed out on fringe, denim, suede, and glitter for her TV debut of “Wranglers.” When you’re the winningest artist at the ACMs, it’s your stage to own.

HIGH: A good presenter bit

Thanks to proven musical comedian Ashley McBryde and comedic-actor-who-also-sings Noah Reid for giving us hope in awards-show presenters. Presenting Single of the Year, the duo parodied all of the nominees … and it was pretty funny! A highlight, to the tune of Jordan Davis’s “Next Thing You Know”: “We’re sitting here at the ACMs, and the nominees are all guys again.”

WHOA: A successful Gwen Stefani–Blake Shelton duet?!

Maybe it’s time to buy a lottery ticket after this. For once, it wasn’t a chore to listen to Stefani and Shelton sing together on TV. “Purple Irises” isn’t a good song, but at least it’s upbeat and gives them both a chance to shine — there’s even a touch of No Doubt in Stefani’s verse. (Is it impressive or depressing that Stefani went from reminding us she could still rock with it at Coachella right back to her country pivot in less than a month?)

HIGH: An understated Toby Keith tribute

Toby Keith’s catalogue isn’t exactly the most conducive to emotional TV tributes — you can’t play an In Memoriam segment behind “Beer for My Horses” or “Courtesy of the Red, White and Blue (The Angry American).” So props to Jason Aldean for making do with a heartfelt, stripped-back take on “Should’ve Been a Cowboy.” And if Aldean’s gonna perform, at least he’s not doing that song.

WHOA: Dua Lipa?!?!

For a second, it was hard to tell what silhouetted angel was killing the beginning of Chris Stapleton’s “Think I’m in Love With You.” Turns out it was Lipa, fresh off the release of her album Radical Optimism and ready to show country music what she’s got. Her voice fit the bluesy, sultry song well, and Stapleton, a true pro at big-time duets, knew how to cede the stage. Speaking of which: That man can’t keep getting away with having the best performance of the night at these things!

WHOA: Jelly Roll testifies

“I’m gon’ keep this short and sweet, ’cause Jelly’s gonna get up here and preach,” Lainey Wilson said, accepting the pair’s win for Musical Event of the Year for “Save Me.” And did Jelly Roll ever. “I’m gonna try not to get emotional,” he said, before quickly raising his voice as he testified. “I never thought I’d be standing here,” he declared. “I thought I would die or go to jail, and I’m standing here as an ACM award winner!”

HIGH: Post Malone Recruited a Football Team

Morgan Wallen wasn’t there to help Post Malone debut “I Had Some Help” (oh no!), but luckily, Post Malone had a crack band behind him — all fittingly clad in Cowboys jerseys. The highlight, though, was the fiddle solo during “Long Lost Highway,” the classic-leaning ballad Post premiered beforehand.

WHOA: Avril Lavigne can rock anywhere

As uncomfortable as Lavigne may have looked in the audience, she was right at home onstage. Lavigne came out on fire for her verse of Nate Smith’s “Bulletproof,” which already had a touch of pop-punk to it.

LOW: Parker McCollum doesn’t have the charisma for this

McCollum’s breakout “Burn It Down” already lacks personality. Doing it acoustic and a step slower on the ACM stage didn’t help.

HIGH: Lainey Wilson’s coronation is complete

As if it wasn’t already. Tonight, Wilson accomplished the difficult feat of following up an Entertainer of the Year win at the CMAs with another one at the ACMs. The win caps off an impressively rapid rise for a star who had her first hit just three years ago — and one that feels doubly improbable for a woman in country.

WHOA: Reba closes with a trip to church

Oh yeah, Reba’s still got it. McEntire didn’t do much as host this year, but she did turn in a powerful closing performance of her new single, “I Can’t.” The stage lit up, she shimmered, and the choir surrounding her poured out their souls. That’s country church.

Related