‘The Second Act’ Review: Quentin Dupieux’s Cannes Film Festival Opener Is A Layered, Bubbly Film World Meta-Fest

Et voilà, The Second Act, a bubbly apéritif to open this year’s Cannes Film Festival, and the latest bit of mischief from Quentin Dupieux, the Loki of the French cinematic universe. Dupieux turns out a film roughly once a year, featuring protagonists ranging from a rogue rubber tire cruising the highway for victims to a giant […]