Bella Baxter and the Machine: On Yorgos Lanthimos’s “Poor Things” and Julie Wosk’s “Artificial Women”
IT SEEMS NO coincidence that Yorgos Lanthimos’s cinematic rendition of Alasdair Gray’s 1992 novel Poor Things, released at the end of 2023, would come at a time of obsessive commentary about the possibilities and threats of AI. While Lanthimos’s movie has nothing, ostensibly, to say about digital technologies (beyond its own production process), the publication […]
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