Courtesy of Focus Features
For as much as has been said about director Sam Taylor-Johnson’s Amy Winehouse biopic, Back to Black—it’s exploitative, it’s too tame, the on-set photos captured during filming were already disgracing its subject’s legacy—there is ironically not much to harp on about Johnson’s film at all. It’s not because Back to Black is surprisingly great or woefully awful, but because it lands firmly in the middle, struggling to say much about the iconic late singer that hasn’t already been mused on by her millions of fans. Читать дальше...